An emblem chosen instead of a flag
The regime needed a rallying sign that pointed neither to the Bourbons nor to Jacobin symbols. The eagle, borrowed from Rome and from Charlemagne, imposed itself: it spoke of imperial continuity rather than dynastic loyalty. Chaudet supplied the model, a gilt bronze eagle set on a plinth bearing the regiment's number.
Technically the emblem was a staff surmounted by the eagle, to which a flag was attached. But it was the eagle that was sworn to, and the eagle that would be defended: the distinction would decide a great many deaths.
The ceremony on the Champ-de-Mars
On 5 December 1804, three days after the coronation, the army and the national guards were assembled on the Champ-de-Mars in driving rain. The Emperor handed each corps its eagle and received its oath: to defend it at the cost of their blood.
The scene would be painted by David as a companion piece to the Coronation, and the ceremony repeated at the creation of every regiment. It turned a regulation object into a collective relic.
The cult of the eagle
Losing an eagle became the supreme disgrace: it was hidden, burnt, thrown into a river rather than let fall into enemy hands. Captured enemy eagles were counted separately in the bulletins and displayed at the Invalides; those the enemy took from the Grande Armée were displayed in the same way in London or Vienna.
In 1815, on the return from Elba, the watchword was 'the flight of the Eagle' — the emblem had become the regime itself. The Bourbons had the eagles destroyed in 1814 and 1815: only a handful of originals survive today.
Go further
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